Breyten Breytenbach, A Monologue in Two Voices by Sandra Saayman Published by Fourthwall Books will be launched at Clarke’s Bookshop on Thursday 13 March.
Although isolated and detailed analyses of individual texts and paintings form the basis of our scholarly engagement with literature and painting, the simultaneous consideration of text and image yields a richer appreciation of the multi-facetted work of writer and painter, Breyten Breytenbach. This book argues that writing and painting form two manifestations of one and the same creative force, and should be read as such.
His imaginary world finds expression in the sister arts, linked in western culture since antiquity: Ut pictura poesis, poetry is like painting. And, by extension, painting is like poetry. Yet, internationally, the substantial body of academic analyses of Breyten Breytenbach’s oeuvre pays scant attention to his painting, limiting our knowledge. If the lines “the hospitals of Paris are crammed with pasty people/standing at the windows making threatening gestures/like the angels in the furnace” will be immediately recognised by any Breytenbach scholar, a major work like L’attrape-pigeon , painted in prison in spite of the formal prohibition on painting, is unknown and would be recognised as a work by Breytenbach by very few (and the story of how the painting got to be made in prison, also remains to be told).
The Breytenbach scholar’s musée imaginaire , the museum of works of art that can be called up by the mind’s eye, is regrettably poor. It is my conviction that, in engaging with Breytenbach’s oeuvre, his poems, works of fiction or essays are not more important than his paintings. This would imply that, in spite of the presence of his poetry and prose in school and university syllabi, in spite of the numerous theses on university library bookshelves and in spite of the growing body of literary criticism, his oeuvre has been only partially read, precisely because his painterly oeuvre is not taken into account.
Breyten Breytenbach, A Monologue in Two Voices includes a previously unpublished text by Breyten Breytenbach translated into French. The book also includes nine drawings done by Breytenbach while in prison, and published here for the first time.
Sandra Saayman is senior lecturer in South African literature and culture studies at the University of Réunion Island and senior research fellow at the Faculty of Humanities, University of Johannesburg. She obtained a Ph.D. in literature in 2003 at the University of Poitiers, France, for a thesis entitled Texte et image: la littérature de prison de Breyten Breytenbach. Her research focuses on the role of the visual arts in literary texts and, more generally, on the relationship between text and image in the public space.
Book Launch : Breyten Breytenbach and Sandra Saayman will be in conversation with Bronwyn Law-Viljoen.
WHEN: Thursday, 13 March 2014, 5:30 for 6 pm
WHERE: Clarke’s Bookshop, 199 Long Street, Cape Town 8001
RSVP: books@clarkesbooks.co.za
WHAT: Breyten Breytenbach, A Monologue in Two Voices by Sandra Saayman
Book specifications:
Size: 186 x 229 mm (portrait)
Extent: 92 pages
Binding: soft cover, dust jacket and endpapers
ISBN: 978-0-9870429-4-1
Price: R280.00 / edition of 1000 copies
Publication date: January 2014
